Nan Lurie (1906–1985) was an American printmaker and engraver (born in Odessa)[1] known for 1930s works about racism and about the daily life of African Americans.[2][3][4]
^Nan Lurie Naturalisation Papers, 5 Feb 1925, Eastern District Court of New York. National Archives and Records Administration (NARA), Washington, D.C.
^Langa, Helen (2004). Radical art: printmaking and the left in 1930s New York. Berkeley: University of California Press. pp. 140–141. ISBN 0520231554.
^"Lurie, Nan (American engraver, born 1910)". ULAN Full Record Display (Getty Research). Retrieved 2014-11-01.
^Nan Lurie, The Metropolitan Museum of Art
^Ryley, Robert M. "Kenneth Fearing's Life". Modern American Poetry. Retrieved 2014-11-01.
^"Nan O. Lurie Biography". Annex Galleries Fine Prints; 19th, 20th & 21st Century Fine Prints. Retrieved 2014-11-01.
^"Nan Lurie | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^"Despair | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^"Old Tales | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^"Sand Yard | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^"Sandyard | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^"Speaker | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^"Subway Bootblack | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^"Subway Scene | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^"Sunday Afternoon | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.
^Langa, pp. 100-102
^"Next | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-03-18.