Raymond Luedeke (born 1944) is an American[1] / Canadian[2] composer of contemporary classical music. Praised for his idiosyncratic instrumental writing and for his orchestration,[3] Luedeke[4] has more recently concentrated on works for music theatre. Although born in New York City, he spent 29 years as Associate Principal Clarinet with the Toronto Symphony Orchestra, a position he left in 2010. A dual citizen of the United States and Canada, Ray Luedeke is artistic director of Voice Afire Opera-Cabaret in New York City.[5]
Biography
Son of Otto Luedeke, an officer in the US Army[6] and a competitor in the 1932 Los Angeles Summer Olympic Games,[7] Raymond Luedeke had a peripatetic childhood.[8] Between the ages of 5 and 8, he lived in Japan. He alludes that his first concert of classical music was heard in Tokyo and that the music was Japanese classical music. He began piano lessons in Japan but did not continue this until the family was living in Massachusetts, where he took up the clarinet at the age of nine. He was soon composing his first pieces, something he continued when the family moved to New Jersey.
From 1981 until 2010 Raymond Luedeke was Associate Principal Clarinet of the Toronto Symphony.[16][17]While in that position, he won a Canada wide contest to compose an orchestral fanfare that would open Roy Thomson Hall,[18] since 1982 the home of the TSO. He would later receive numerous grants from Canadian Arts Coumcils, (Canada Council for the Arts, Laidlaw Foundation, Ontario Arts Council, Toronto Arts Council)
The Music
The music of Ray Luedeke, along with traditional elements, incorporates a variety of the techniques of 20th and 21st Century music, including metric modulation, extended or ambiguous tonality, spatial notation, and the harmonic use of pitch sets. A good deal of his music is inspired by poetry, particularly that of Pablo Neruda and of William Carlos Williams. Some of his music includes references to the music of non-Western cultures, to Japanese classical music, to African drumming, and to the Indonesian gamelan.
In Kevin Vigil's doctoral thesis[19] on the guitar music of Raymond Luedeke, the composer is asked if he has had style periods, given the variety of forms found in his music: He replies that his style is to be found in his musical line and in his personal concept of counterpoint, rather than in his musical vocabulary, which may vary. He compares his music to poetry, in which metaphors may be interpreted in various ways. He does not accept the concept of absolute music, of music that only refers to itself. Without being programmatic, his music has a narrative that can suggest a variety of interpretations.
Partial list of compositions
Operas and music theater
My Life with Pablo Neruda – opera-cabaret in 4 acts[20]
The Magical Singing Drum – opera-cabaret based on an African story
The Art of Love / Into the Labyrinth for 2 pianos and actor (Ovid Ars Amatoria and other works)[22]
Kafka Shorts – music theatre for string quartet and 2 actors**In Kharms Way – music theatre for string quartet and 2 actors
Garbage Delight – music theatre for saxophone quintet with narration[23][24][25]
Wonderland Duets for 2 tubas and narrator (Lewis Carroll)[26]
Orchestra
Circus Music
Ah, Matsushima!
The Transparency of Time for piano and orchestra[27]
Concerto for Double Bass[28]
Concerto for Violin[29]
The North Wind's Gift[30][31]
Tales of the Netsilik – for narrator and orchestra[32]
Clockworks
Shadow Music[33]
Fanfare for 12 herald trumpets and large orchestra
Concerto for Saxophone Quartet
4 Cantos
Chamber Orchestra
Hard Right
In This World for string orch., flute, and marimba
Little Rose
Chamber Symphony
Chorus
Love is the every only god – on poems by e. e. cummings
In Just Spring for Children's Chorus – on poems by e. e. cummings
Prayers, Poems, and Incantations for the Earth for chorus and children's chorus[34]
Disasters of the Sun for gamelan and chamber chorus – poems by Dorothy Livesay[35]
A Prayer for the Earth for chorus and orchestra
Four Songs, The Dream and Old Song – on poems by Dorothy Livesay
Of Him I Love for chorus SATB, Saxophone Quartet, double bass, percussion
Vocal Solo
Livesay Songs for soprano and piano – on poems by Dorothy Livesay
Whispers of Heavenly Death for 2 sopranos and piano – poems by Walt Whitman
Pictures from Breughel – for soprano, baritone, WW Quintet – William Carlos Williams
New Hampshire and His Majesty the Tuba for tuba, tenor and piano
Large Ensemble
The Winds of Her Misfortune for orchestra brass, woodwind, and perc. sections
In This World for string orchestra and marimba
Circus Music for brass band[36][37][38][39]
Cathedrals for brass ensemble
Echoland for mixed ensemble
Soundscapes for concert band
Krishna for tuba (or piano) and percussion
Rondo for trumpet and band
Chamber Music
Ysaye Does It for 4 violins
Questions for flute, viola, double bass, and narrator[40][41]
Tango Dreams for string trio and accordion
Brother Jack for vln., E. Hn., harpsichord
Ceremonial Dances for piano and string quartet
The Moon in the Labyrinth for harp and string quartet
The Lyre of Orpheus for harp and string quartet (or 2 Harps)[42]
Elemental Dances for guitar and string quartet
String Quartet – inspired by a poem of William Carlos Williams
Nocturnal Variations for woodwind quintet[43]**Serenade for oboe, cello and piano
Serenade for oboe, cello and piano
Little Suite for 3 horns
Macchu Picchu for flute (alto flute), clarinet (Bb, A, Eb), violin and piano
Quintet for Brass / Complexity and Contradiction[44]
Mystery Madrigals for flute (piccolo), clarinet (Bb, A, Eb), violin, cello and perc.
Divertimenti 1 and 2 for 2 clarinets and bassoon
From the Mountain Top for trombone quartet
Joy, fanfare for brass quintet[45]
Duos
Fancies and Interludes I for tuba and piano
Fancies and Interludes II for alto sax. and piano
Fancies and Interludes III for horn and percussion
Fancies and Interludes IV for bass clarinet and percussion
Fancies and Interludes V for cello and organ
Fancies and Interludes VI for violin and piano[46]
Fancies and Interludes VII for bassoon and piano
Ah, Matsushima! for violin and marimba with narration (Japanese haiku)[47][48]
Paprika for bassoon and cello
If You Forget Me for cello (or viola) and piano
Sonata for viola and piano
In This World for flute (or violin or clarinet) and marimba **In the Eye of the Cat for flute (or violin) and guitar
In the Eye of the Cat for flute (or violin) and guitar[49]
Brief Encounters for viola and piano
Serenity for clarinet (or soprano saxophone) and accordion
Fairy Tales for flute and harp
Silence! for percussion and oboe (or flute or clarinet or viola or cello or voice)
Body Language for 2 percussion
Aurora for flute and harp
Duo for oboe and cello
Horn Calls for 2 horns
15 Inventions for 2 clarinets[50]
8 Bagatelles for 2 Tubas[51]
Solo
Grief for solo cello
Tango Dreams for piano
My Secret Life for viola
12 Preludes for piano
5 Preludes for guitar[52]
Fantasy for piano
Arrangements
Gipsy Songs (Dvorak) for woodwind quintet
Ragtime (various composers) for woodwind quintet
Le Tombeau de Couperin (Ravel) for oboe (or clarinet), violin, cello, and accordion
Carnival of Venice for clarinet and orchestra (clarinet part by Paul JeanJean)
The Heart and Soul of Tango, 9 tangos for string trio, accordion, and bs-baritone[53]
Amazing Grace for orchestra, bagpipes, and student violins
The Blue Danube (J. Strauss) for clarinet and string quartet
First Clarinet Concerto for solo clarinet and wind ens. (Carl Maria von Weber)
Four Nocturnes (Poulenc) for string orchestra
References
^ a bRaymond Luedeke papers. Special Collections and University Archives, University of Maryland.
^"Canadian Who's Who – Raymond Luedeke".
^Hambleton, Ronald. "Symphony Transports audience to Arctic". The Toronto Star, 23 February 1989. Retrieved on 7 August 2018.
^"Raymond Luedeke".
^"Voice Afire Pocket Opera-Cabaret".
^"Grave Locator". Arlington National Cemetery. Archived from the original on April 18, 2015. Retrieved July 6, 2014.
^"Otto Luedeke Olympic Results". sports-reference.com. Archived from the original on April 18, 2020. Retrieved July 6, 2018.
^Vigil, Kevin (2004). Compositional background, performance analysis, and composer portrait of Raymond Luedeke's Five Preludes for Guitar and In the Eye of the Cat. Shenandoah University Lecture Recital Doctoral Dissertation.
^"French Impressions arrangements by Lawrence Odom". Amazon.
^"Raymond Luedeke".
^"Raymond Luedeke".
^Monson, Karen. "Ensemble pleasing to see, hear". Chicago Daily News. 12 April 1976. Retrieved on 10 July 2018.
^Haskell, Hary. "Chamber Players Work Tonal Magic". Kansas City Star, Kansas City, Missouri. 4 April 1980. page 10C. Retrieved on 14 July 2018.
^Katzenstein, Larry. "Contemporary Chamber Players at UMSL"St Louis Post Dispatch. 28 March 1978. page 4F. Retrieved on 13 July 2018.
^Kreisman, James. "New Music Circle presents concert of 20th century works"". St. Louis Globe-Democrat. 29 March 1978. Retrieved on 29 July 2018.
^Kaptainis, Arthur. "Verve gives Concert pop flavour". The Globe and Mail, Toronto. 16 December 1986. page C13. Retrieved on 14 July 2018.
^Kaptainis, Arthur. "Uninspired evening with TS". The Globe and Mail, Toronto. 21 July 1984. Retrieved on 14 July 2018.
^Schonberg, Harold C. "Toronto concert opens Symphony's new hall". The New York Times. 15 September 1982. Retrieved 30 August 2018.
^Vigil, Kevin (2004). Compositional background, performance analysis, and composer portrait of Raymond Luedeke's Five Preludes for Guitar and In the Eye of the Cat. Shenandoah University Lecture Recital Doctoral Dissertation.
^"Voice Afire presents Viva Pablo Neruda" (PDF).
^"Butterfly's Trouble" (PDF).
^"The Art of Love – Women Around Town" (PDF).
^Hume, Christopher. "Tasty helping of music served up with ham". The Toronto Star, 30 January 1990. Retrieved on 15 July 2018.
^"Literature Set to Music – Garbage Delight". The Canadian Encyclopedia.
^Trotter, Hermann. "Amherst Sax Quartet saunters into whimsy".The Buffalo News, 23 October 21989. Retrieved on 21 July 2018.
^"Tritone Press and Tenuto – Raymond Luedeke".
^Adler, Andrew. "Music Review". The Courier-Journal, St. Louis. 24 October 1985. Retrieved 29 August 2018.
^Hume, Christopher. "And this bass stands alone" The Toronto Star, 10 November 1997. Retrieved on 10 July 2018.
^Krawchyk, Ed. "Orchestra warms to Scott St. John". The London Free Press, London, Ontario. 30 October 1992. Retrieved on 11 July 2018.
^Scott, Michael. "Violinist's sweet appearance belies the power of her technique" The Vancouver Sun, 26 October 1991. Retrieved on 2 September 2018.
^Baruch, Garth-Wolfgang. "Verschworene Gesellschaft – das Toronto Symphony Orchestra in der Liederhalle"Augarter Zeitung, Stuttgart, Germany, 15 May 1991. retrieved 7 November 2018
^Hambleton, Ronald. "Symphony Transports audience to Arctic". The Toronto Star, 23 February 1989. Retrieved on 7 August 2018.
^Shadow Music – Louisville Orchestra First Edition Records. OCLC 19883132.
^Chapman, Geoff. 'Two choirs, two world premiers". The Toronto Star .Toronto, 4 June 2002. Retrieved on 5 July 2018.
^Littler, William. "A Bit of New Age for Iseler Singers"
. The Toronto Star .Toronto, 7 November 2000. Retrieved on 6 July 2018.
^Hambleton, Ronald. 'Brass polishes novel rhythms". The Toronto Star .Toronto, 8 April 1991. Retrieved on 20 July 2018.
^Terauds, John. "Ballet's Briskin kicks some brass". The Toronto Star .Toronto, 21 May 2009. Retrieved on 5 August 2018.
^Bernstein, Tamara. "Lots of brass found on Hannaford Street" The Globe and Mail. Toronto. 9 April 1991
. Retrieved on 2 March 2018.
^Kilpatrick. "Hannaford Street Silver Band". The American Record Guide .Cincinnati. January / February 1995. Retrieved on 18 July 2018.
^Creditor, Bruce M. "Quintessence The Wind Quintet Informant No. 13 Pictures from Breughel and Nocturnal Variations" "The Clarinet – International Clarinet Association". February / March 1993. Retrieved on 6 September 2018.
^"Crystal Records New Mexico Brass Quintet".
^"Raymond Luedeke".
^Hambleton, Ronald. "Faculty recital strikes
". The Toronto Star .Toronto, 25 September 1989. Retrieved on 16 September 2018.
^Moor, D. "Hammer and Bow". The American Record Guide, Cincinnati. November / December 2006. Retrieved on 17 July 2018.
^Carl, Robert. "Hammer and Bow". ArkivMusic.com. 25 July 2006. Retrieved on 17 July 2018.
^Vigil, Kevin (2004). Compositional background, performance analysis, and composer portrait of Raymond Luedeke's Five Preludes for Guitar and In the Eye of the Cat. Shenandoah University Lecture Recital Doctoral Dissertation.
^"Subito Music Raymond Luedeke".
^"Tritone Press and Tenuto – Raymond Luedeke".
^Vigil, Kevin (2004). Compositional background, performance analysis, and composer portrait of Raymond Luedeke's Five Preludes for Guitar and In the Eye of the Cat. Shenandoah University Lecture Recital Doctoral Dissertation.
^Allaire, Geoff. '"Tango Cabaret an entertaining embrace" Elliot Lake Standard .Elliot Lake, Ontario. 5 May 2010. Retrieved on 10 July 2018.
External links
Official home page
Luedeke's bio from The American Composers Alliance
Luedeke's bio from The Canadian Music Centre
Luedeke's bio from The Archives of the University of Maryland
Luedeke's bio from The Canadian Who's Who
Raymond Luedeke Youtube website
Facebook Page for Voice Afire Opera-Cabaret
Facebook Page for My Life with Pablo Neruda
Facebook Page for Ray Luedeke
Further Reference
Suppan, Armin Suppan: Das Neue Lexikon des Blasmusikwesens, 4. Auflage, Freiburg-Tiengen, Blasmusikverlag Schulz GmbH, 1994, ISBN 3-923058-07-1
Paul E. Bierley, William H. Rehrig: The heritage encyclopedia of band music : composers and their music, Westerville, Ohio: Integrity Press, 1991, ISBN 0-918048-08-7
Carolyn Beatty, Mark Hand, Simone Auer, Ned Bouhalassa, Mireille Gagne, Gilles Marois, Veronique Robert: Repertoire des compositeurs, Toronto: Centre de Musique Canadiene, 1989.
Londeix, Jean-Marie: Musique pour saxophone, volume II : répertoire général des oeuvres et des ouvrages d' enseignement pour le saxophone, Cherry Hill: Roncorp Publications, 1985.
Anderson, E. Ruth: Contemporary American composers - A biographical dictionary, Second edition, Boston: G. K. Hall, 1982, 578 p., ISBN 978-0-816-18223-7