The Birth of a Nation, originally called The Clansman,[5] is a 1915 American silent epic drama film directed by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from Thomas Dixon Jr.'s 1905 novel and play The Clansman. Griffith co-wrote the screenplay with Frank E. Woods and produced the film with Harry Aitken.
The Birth of a Nation is a landmark of film history,[6][7] lauded for its technical virtuosity.[8] It was the first non-serial American 12-reel film ever made.[9] Its plot, part fiction and part history, chronicles the assassination of Abraham Lincoln by John Wilkes Booth and the relationship of two families in the Civil War and Reconstruction eras over the course of several years—the pro-Union (Northern) Stonemans and the pro-Confederacy (Southern) Camerons. It was originally shown in two parts separated by an intermission, and it was the first American-made film to have a musical score for an orchestra. It pioneered closeups and fadeouts, and it includes a carefully staged battle sequence with hundreds of extras (another first) made to look like thousands.[10] It came with a 13-page Souvenir Program.[11] It was the first motion picture to be screened inside the White House, viewed there by President Woodrow Wilson, his family, and members of his cabinet.
The film was controversial even before its release and it has remained so ever since; it has been called "the most controversial film ever made in the United States"[12]: 198 and "the most reprehensibly racist film in Hollywood history."[13] The film has been denounced for its racist depiction of African Americans.[8] The film portrays its black characters (many of whom are played by white actors in blackface) as unintelligent and sexually aggressive toward white women. The Ku Klux Klan (KKK) is portrayed as a heroic force, necessary to preserve American values, protect white women, and maintain white supremacy.[14][15]
Popular among white audiences nationwide upon its release, the film's success was both a consequence of and a contributor to racial segregation throughout the U.S.[16] In response to the film's depictions of black people and Civil War history, African Americans across the U.S. organized and protested. In Boston and other localities, black leaders and the NAACP spearheaded an unsuccessful campaign to have it banned on the basis that it inflamed racial tensions and could incite violence.[17] It was also denied release in Chicago, Ohio, Denver, Pittsburgh, St. Louis, and Minneapolis. Griffith's indignation at efforts to censor or ban the film motivated him to produce Intolerance the following year.[18] [better source needed]
In spite of its divisiveness, The Birth of a Nation was a massive commercial success across the nation—grossing far more than any previous motion picture—and it profoundly influenced both the film industry and American culture. Adjusted for inflation, the film remains one of the highest-grossing films ever made. It has been acknowledged as an inspiration for the rebirth of the Ku Klux Klan, which took place only a few months after its release. In 1992, the Library of Congress deemed the film "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.[19][20]
Phil, the elder son of the Stonemans (a Northern family), falls in love with Margaret Cameron (the daughter of a Southern family), during a visit to the Cameron estate in South Carolina. There, Margaret's brother Ben idolizes a picture of Elsie Stoneman, Phil's sister. When the Civil War arrives, the young men of both families enlist in their respective armies. The younger Stoneman and two of the Cameron brothers are killed in combat. Meanwhile, a black militia attacks the Cameron home and is routed by Confederate soldiers who save the Cameron women. Leading the final charge at the Siege of Petersburg, Ben Cameron earns the nickname of "the Little Colonel," but is also wounded and captured. He is then taken to a Union military hospital in Washington, D.C.
During his stay at the hospital, he is told that he will be hanged. Working there as a nurse is Elsie Stoneman whose picture he has been carrying. Elsie takes Cameron's mother who had traveled there to tend her son and to see Abraham Lincoln. Mrs. Cameron persuades him to pardon Ben. When Lincoln is assassinated, his conciliatory postwar policy expires with him. In the wake of Lincoln's death, Elsie's father and other Radical Republicans are determined to punish the South.[21]
Stoneman and his protégé Silas Lynch, a psychopathic mulatto, head to South Carolina to observe the implementation of Reconstruction policies. During the election, in which Lynch is elected lieutenant governor, black people stuff the ballot boxes while many white people are denied the vote. The newly elected members of the South Carolina legislature are mostly black.
Inspired by observing white children pretending to be ghosts to scare black children, Ben fights back by forming the Ku Klux Klan. As a result, Elsie breaks up with him. While going off alone into the woods to fetch water, Flora Cameron is followed by Gus, a freedman and soldier who is now a captain. He tells Flora he desires to marry her. Uninterested, she rejects him, but Gus keeps insisting. Frightened, she flees into the forest, pursued by Gus. Trapped on a precipice, Flora warns Gus she will jump if he comes any closer. When he does, she leaps to her death. While looking for Flora, Ben sees her jump and holds her as she dies. He then carries her body to the Cameron home. In response, the Klan hunts down Gus, tries him, finds him guilty, and lynches him.
After discovering Gus's murder, Lynch orders a crackdown on the Klan. He also secures the passing of legislation allowing mixed-race marriages. Dr. Cameron is arrested for possessing Ben's Klan regalia, now considered a capital crime. He is rescued by Phil Stoneman and a few of his black servants. Together with Margaret Cameron, they flee. When their wagon breaks down, they make their way through the woods to a small hut that is home to two former Union soldiers who agree to hide them.
Congressman Stoneman, Elsie's father, leaves to avoid being connected with Lynch's crackdown. Elsie, learning of Dr. Cameron's arrest, goes to Lynch to plead for his release. Lynch, who lusts after Elsie, tries to force her to marry him, which causes her to faint. Stoneman returns, causing Elsie to be placed in another room. At first Stoneman is happy when Lynch tells him he wants to marry a white woman, but he is then angered when Lynch says that it is Elsie he wishes to marry. Elsie breaks a window and cries out for help, getting the attention of undercover Klansman spies. The Klan gathered together, with Ben leading them, ride in to gain control of the town. When news about Elsie reaches Ben, he and others go to her rescue. Lynch is captured while his militia attacks the hut where the Camerons are hiding. However, the Klansmen, with Ben at their head, save them. The next election day, blacks find a line of mounted and armed Klansmen just outside their homes and are intimidated into not voting.
Margaret Cameron marries Phil Stoneman and Elsie Stoneman marries Ben Cameron.
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In 1911, the Kinemacolor Company of America produced a lost film in Kinemacolor titled The Clansman. It was filmed in the southern United States and directed by William F. Haddock. According to different sources, the ten-reel film was either completed by January 1912 or left uncompleted with a little more than a reel of footage. There are several speculated reasons why the film production failed including unresolved legal issues regarding the rights to the story, financial issues, problems with the Kinemacolor process, and poor direction. Frank E. Woods, the films scriptwriter, showed his work to Griffith, who was inspired to create his own film adaptation of the novel, titled The Birth of a Nation.[23][24][25]
Many of the fictional characters in the film are based on real historical figures. Abolitionist U.S. Representative Austin Stoneman is based on the Reconstruction-era Representative Thaddeus Stevens of Pennsylvania.[26][27] Ben Cameron is modeled after Leroy McAfee.[28] Silas Lynch was modeled after Alonzo J. Ransier and Richard Howell Gleaves.[29][30]
After the failure of the Kinemacolor project, in which Dixon was willing to invest his own money,[31]: 330 he began visiting other studios to see if they were interested.[32]: 421 In late 1913, Dixon met the film producer Harry Aitken, who was interested in making a film out of The Clansman. Through Aitken, Dixon met Griffith.[32]: 421 Like Dixon, Griffith was a Southerner, a fact that Dixon points out;[33]: 295 Griffith's father served as a colonel in the Confederate States Army and, like Dixon, viewed Reconstruction negatively. Griffith believed that a passage from The Clansman where Klansmen ride "to the rescue of persecuted white Southerners" could be adapted into a great cinematic sequence.[34] Griffith first announced his intent to adapt Dixon's play to Gish and Walthall after filming Home, Sweet Home in 1914.[29]
Birth of a Nation "follows The Clansman [the play] nearly scene by scene."[35]: xvii While some sources also credit The Leopard's Spots as source material, Russell Merritt attributes this to "the original 1915 playbills and program for Birth which, eager to flaunt the film's literary pedigree, cited both The Clansman and The Leopard's Spots as sources."[36] According