Rhythmic piece in Carnatic music
A Tillana or thillana is a rhythmic piece in South Indian Carnatic music that is generally performed at the end of a concert and widely used in classical indian dance performances. It was popularised by Dr. M Balamuralikrishna, Lalgudi Jayaraman and some other musicians[1][2][3] A Tillana uses tala-like phrases in the pallavi and anupallavi, and lyrics in the charanam.
The thillana is based on the tarana which was introduced by Amir Khusrau (1253-1325 CE).[4]
Popular Compositions
BY Lalgudi Jayaraman
BY M. Balamuralikrishna
- Brindavani Thillana
- Kadanakuthuhalam Thillana
- Kunthalavarali Thillana
- Garudadhwani Thillana
- Jaya Ragamalika Thillana (Kalyani Raga)
BY OTHER COMPOSERS
References
- ^ "Pure aural feast". The Hindu. 16 February 2012. Retrieved 18 February 2012.
- ^ Subrahmanyam, Velcheti (2 February 2012). "Master holds in hypnotic spell". The Hindu. Retrieved 18 February 2012.
- ^ Kumar, Ranee (16 February 2012). "Resonant repertoire". The Hindu. Retrieved 18 February 2012.
- ^ Singh, Thakur Jai Deva (1975). "Khusrau's Musical Compositions". In Ansari, Zoe (ed.). Life, Times & Works of Amir Khusrau Dehlavi. New Delhi: National Amir Khusrau Society. p. 276.