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Sidney Littlefield Kasfir

Sidney Carolyn Littlefield Kasfir (1939–2019) was an art historian of African art.

Career

Sidney Littlefield Kasfir received a MA in art history from Harvard University and a Ph.D. in African art from the University of London in 1979 with a dissertation on visual arts of the Idoma people. She was a professor at Emory University for two decades.[2]

Works

References

  1. ^ Nagawa, Margaret; Serubiri, Moses (February 4, 2020). "In Remembrance of Sidney Littlefield Kasfir (1939–2019)". Start Journal. Retrieved December 21, 2020.
  2. ^ "Sidney Carolyn Littlefield Kasfir CV" (PDF).
  3. ^ Ezra, Kate (2001). "Review of Contemporary African Art". African Arts. 34 (1): 11–93. doi:10.2307/3337728. ISSN 0001-9933. JSTOR 3337728.
  4. ^ Förster, Till (2001). "Review of Contemporary African Art". Anthropos. 96 (1): 267–269. ISSN 0257-9774. JSTOR 40465501.
  5. ^
    • Arnoldi, Mary Jo (2009). "Review of African Art and the Colonial Encounter: Inventing a Global Commodity". Research in African Literatures. 40 (3): 246–247. doi:10.2979/RAL.2009.40.3.246. ISSN 0034-5210. JSTOR 40468154.
    • Beidelman, T. O. (2008). "Review of African Art and the Colonial Encounter. Inventing a Global Commodity". Anthropos. 103 (2): 599–600. doi:10.5771/0257-9774-2008-2-599. ISSN 0257-9774. JSTOR 40467458.
    • Förster, Till (2010). "Review of African Art and the Colonial Encounter: Inventing a Global Commodity". African Arts. 43 (4): 91–92. doi:10.1162/afar.2010.43.4.91. ISSN 0001-9933. JSTOR 29546111. S2CID 191409122.
    • Larkin, Lance (2010). "Review of African Art and the Colonial Encounter: Inventing a Global Commodity. African Expressive Cultures". The International Journal of African Historical Studies. 43 (1): 169–170. ISSN 0361-7882. JSTOR 25741405.
    • Roberts, Allen F. (2009). "Review of African Art and the Colonial Encounter: Inventing a Global Commodity. (African Expressive Cultures.)". The American Historical Review. 114 (4): 1202–1203. doi:10.1086/ahr.114.4.1202. ISSN 0002-8762. JSTOR 23883142.
    • Probst, Peter (2010). "Cultural Difference and Changing Traditions of Meaning in African Art". The Journal of African History. 51 (1): 104–105. doi:10.1017/S002185371000006X. ISSN 0021-8537. JSTOR 40985007. S2CID 146376318.
    • Roberts, Mary Nooter (2009). "Review of African Art and the Colonial Encounter: Inventing a Global Commodity". African Studies Review. 52 (2): 223–225. doi:10.1353/arw.0.0173. ISSN 0002-0206. JSTOR 20638936. S2CID 201765126.
  6. ^ Parker, John (2013). "Review of Central Nigeria Unmasked: Arts of the Benue River Valley". Bulletin of the School of Oriental and African Studies, University of London. 76 (1): 195–197. doi:10.1017/S0041977X12001917. ISSN 0041-977X. JSTOR 41811301. S2CID 162672556.
  7. ^ Hahn, Hans Peter (2014). "Review of African art and agency in the workshop". Paideuma: Mitteilungen zur Kulturkunde. 60: 284–287. ISSN 0078-7809. JSTOR 44242859.
  8. ^ Perrill, Elizabeth (2015). "Review of African Art and Agency in the Workshop". The International Journal of African Historical Studies. 48 (1): 131–133. ISSN 0361-7882. JSTOR 44715395.

Further reading

External links


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