Thomas Forrest Kelly (born 1943) is an American musicologist, musician, and scholar. He is the Morton B. Knafel Professor of Music at Harvard University. His most recent books include: The Role of the Scroll (2019), Capturing Music: The Story of Notation (2014), and Music Then and Now (2012).
Kelly is Morton B. Knafel Professor of Music at Harvard University, where he served as Chair of the Music Department from 1999 to 2004.[2] In 2005 he was named a Harvard College Professor in recognition of his teaching of undergraduates. Before coming to Harvard he taught at Oberlin Conservatory (where he was the director of the program in Historical Performance and served as acting Dean of the Conservatory);[3] he taught at the Five College Consortium in Massachusetts (Amherst, Smith, Mount Holyoke, Hampshire Colleges and the University of Massachusetts), where he was the founding director of the Five College Early Music Program.[4] From 1972 to 1979 he taught at Wellesley College. He was a visiting scholar at King's College, Cambridge (1976–77) and a Professeur invité at the École pratique des hautes études, Paris (1998).
In addition to the performance and conducting connected with his teaching, Kelly was the Artistic Director of the Castle Hill Festival (Massachusetts, 1973–1983);[4] the Director of the International Early Dance and Music Institute (1982–1984), and the Music Director of the Cambridge Society for Early Music (1977–1978).
Publications
Kelly has two principal areas of interest: medieval music and culture, and the performance of music of the past (often called Early Music or Historical Performance). He is a frequent lecturer and broadcaster. He has given regular series of talks for the Metropolitan Museum of Art, the New York Philharmonic, the Smithsonian Institution, the Los Angeles Philharmonic, and others.[8][9][10] He has had a regular radio show, and well as many guest appearances.
Books for general readers
The Role of the Scroll: An Illustrated Introduction to Scrolls in the Middle Ages (New York: W. W. Norton, 2019.)
Capturing Music. The Story of Notation (New York: W. W. Norton, 2014.)
First Nights: Five Musical Premieres (Yale University Press, 2000.)
First Nights at the Opera (Yale University Press, 2004; paperback edition 2006.)
Early Music: A Very Short Introduction. (Oxford University Press, 2011. German edition 2014.)
Music Then and Now. (New York: W. W. Norton, 2012.)
Scholarly books
The Beneventan Chant (Cambridge University Press, 1989)
Awarded the Otto Kinkeldey Prize of the American Musicological Society. Paperback edition 2009; Italian translation in press.
The Exultet in Southern Italy (Oxford University Press, New York, 1996)
The Ordinal of Montecassino and Benevento: Breviarium sive ordo officiorum, 11th century (Spicilegium Friburgense 45, Freiburg (Switzerland), Presses Universitaires, 2008)
Les témoins manuscrits du chant bénéventain: le répertoire subsistant de l'ancienne liturgie de l'Italie du sud reproduit d'après tous les témoins manuscrits connus (Paléographie musicale, Volume XXI. Solesmes: Abbaye Saint-Pierre, 1992.)
The Practice of Medieval Music. (Ashgate Variorum series, 2010. First of two volumes of reprints.)
The Sources of Benevantan Chant. (Ashgate Variorum series, 2011. Second of two volumes of reprints.)
Books edited by Kelly
The Cambridge History of Medieval Music. Co-edited with Mark Everist (Cambridge University Press, 2018.)
Ambrosiana at Harvard. Co-edited with Matthew Mugmon. (Harvard University Press, 2010.)
The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory, and Performance, in Honor of Christoph Wolff Co-edited with Sean Gallagher. (Harvard University Department of Music, 2009, paperback edition 2009.)
Music in Medieval Europe (Ashgate, 2009.)
A 7-volume reference and reprint series of which Kelly is general editor and editor for the two volumes below.
Oral and Written Transmission in Chant. (Ashgate 2009)
Chant and its Origins (Ashgate 2009).
La Cathédrale de Bénévent, sous la direction de Thomas Forrest Kelly, Esthétiques et Rituels des Cathédrales d'Europe (Ghent and Amsterdam: Ludion, 1999.)
Kelly edited the volume and contributed the introduction and one chapter.
Plainsong in the Age of Polyphony. Essays edited and with an introduction by Thomas Forrest Kelly. (Cambridge University Press, 1992; paperback edition 2009.)
Kelly has also published more than 50 scholarly articles.
External links
Thomas Forrest Kelly's Website
Harvard Department of Music Website – Thomas Forrest Kelly
References
^ a bUNC Chapel Hill Distinguished Alumnus Award, 2005, accessed October 11, 2014.
^ a bHarvard Department of Music: Thomas Forrest Kelly Archived 2012-06-30 at the Wayback Machine, accessed October 11, 2014.
^The Harvard Crimson: Medieval Music Expert Accepts Tenure Offer. Written by Tara H. Arden Smith. April 6, 1994. Accessed October 12, 2014.
^ a bEarly Music America: Staff & Board of Directors Archived 2014-10-13 at archive.today, accessed October 12, 2014.