The Terminal Beach is a collection of science fiction short stories by British author J. G. Ballard, published in 1964.
Contents
British edition
"The Terminal Beach": A man who does not come to terms with the premature death of his wife and son steals away onto an island of Eniwetok, once used for testing nuclear weapons. Between the decaying buildings on the island, the reader follows his mental and physical decline.
"A Question of Re-entry": This story has some parallels to Joseph Conrad's Heart of Darkness, with the protagonist traveling upriver in the Amazon rain forest, to meet a European who went native. The story evolves around the clash between civilization-based knowledge and native belief.
"The Drowned Giant": A giant human(oid) body washes ashore. The initial wonder soon gives way to banality as people start to climb over the body and remove or vandalize parts of it until the body is completely dismembered. It is then widely believed that the giant never existed at all.
"End-Game": A psychological match between a person on death row, who lives with his executioner in a comfortable house, and does not know the time and day of his execution. To pass the time, they are playing chess, while the condemned tries to win a game of persuasion.
"The Lost Leonardo": A painting by Leonardo da Vinci of the Crucifixion of Jesus is stolen from the Louvre Museum. Two art directors, seeking the thief, examine several crucifixion paintings, each also previously stolen, and discern a hitherto-unnoticed man in each one. Not only is the face recognizably the same in each, no matter which artist, country, or century, the portraits of this man are also alterations of the original paintings. They determine he is the Wandering Jew, and also the thief and forger.
A copy of the 1987 edition is briefly seen being read by a security guard played by Ken Jeong in the 2019 superhero filmAvengers: Endgame, which shares its subtitle with a story in the book.
"The Drowned Giant" was adapted as part of the Netflix series Love, Death & Robots (2021).
Reception
Dave Pringle reviewed The Terminal Beach for Imagine magazine, and stated that "perhaps the finest collection of a master short-story writer. What more can I say? - except that it is good to see it reprinted in this quality-paperback format. with an excellent cover painting by James Marsh."[1]
Reviews
Review by Michael Moorcock (1964) in New Worlds SF, #144 September–October 1964[2]
