Elliott Sharp (born March 1, 1951) is an American contemporary classical composer, multi-instrumentalist, performer, author, and visual artist.[1][2][3]
A central figure in the avant-garde and experimental music scene in New York City since the late 1970s,[4][5] Sharp has released over eighty-five recordings ranging from contemporary classical, avant-garde, free improvisation, jazz, experimental, and orchestral music to noise, no wave, and electronic music. He pioneered the use of personal computers in live performance with his Virtual Stance project of the 1980s.[6] He has used algorithms and fibonacci numbers in experimental composition since the 1970s, and has cited literature as an inspiration for his music and often favors improvisation.[7][8] He is an inveterate performer, playing mainly guitar, saxophone and bass clarinet. Sharp has led many ensembles over the years, including the blues-oriented Terraplane, Orchestra Carbon, and SysOrk, a group dedicated to the realization of algorithmic and graphic scores.[9][10]
Biography
Sharp was classically trained in piano from an early age, taking up clarinet and guitar as a teen. He attended Cornell University from 1969 to 1971, studying anthropology, music, and electronics. He completed his B.A. degree at Bard College in 1973, where he studied composition with Benjamin Boretz and Elie Yarden; jazz composition, improvisation, and ethnomusicology with trombonist Roswell Rudd; and physics and electronics with Burton Brody. In 1977 he received an M.A. from the University at Buffalo, where he studied composition with Morton Feldman and Lejaren Hiller, and ethnomusicology with Charles Keil.[11]
He produces records for a wide variety of artists, and has curated several State of the Union CDs, compilations of one-minute tracks by experimental musicians. He releases music under his own label, zOaR music, as well as punk label SST and downtown music labels such as Knitting Factory records and John Zorn’s Tzadik label. Sharp describes himself as a lifelong "science geek",[13] having modified and created musical instruments since his teen years, and frequently borrowing terms from science and technology for his compositions.
Elliott Sharp live at Jazz Festival in Saalfelden, 2009
Sharp received the 2015 Berlin Prize in Musical Composition, spending six months as a Fellow-in-Residence at the American Academy in Berlin.[14] He was awarded a 2014 Guggenheim Fellowship, was a 2009 Master Artist-in-Residence at the Atlantic Center for the Arts, a New York Foundation for the Arts Fellow in music in 2010 and 2019, and received a 2003 Foundation for Contemporary Arts Grants to Artists Award.[15] He has composed scores for feature films and documentaries,[16] created music and sound-design for The Sundance Channel, MTV and Bravo networks; and has presented numerous sound installations in art galleries and museums. Guitar Player magazine’s 30th anniversary issue included Sharp among their list of “The Dirty Thirty – Pioneers and Trailblazers”.
In March 2011, Sharp's 60th birthday was celebrated with a weekend of all-star concert events entitled "E#@60", hosted by Brooklyn's ISSUE Project Room.[17] In March 2021, his 70th birthday was celebrated with a series of concert events entitled “E#@70”, presented by Brooklyn’s Roulette.[18]
Sharp lives in lower Manhattan with media artist Janene Higgins and their two children.[19]
Discography
Solo
The Collapsed Wave (2023)
Steppe (2023)
Octal: Book Four (2022)
Karman Lines (2021)
Isosceles (2020)
Cryptid Fragments 1991-1996 (2020)
Octal Book Three (2014) for solo 8-string guitarbass
I/S/M:R (1982) with Michael Brown, Al Diaz, David Linton
In the Land of the Yahoos (1987) with Christoph Anders, Sussan Deihim, Elizabeth Fischer, David Fulton, Paul Garrin, Shelley Hirsch, Shigeto Kamada, Christian Marclay, Jane Tomkiewicz
Arc 2: The Seventies (1998) with, Steve Piccolo, Geoff MacAdie, Stewart Gilbert, Kunda Magenau, Denis Williamson, Murry Kohn, Donald Knaack, Bobby Previte, Jim Whittemore, Chris Vine
Arc 3: Cyberpunk & the Virtual Stance (1998)
Autar (2000) with the Bedouin Musicians of Muhammad Abu-Ajaj
A Modicum of Passion (2004) with (vocals) Devorah Day, Ben Miller, Eric Mingus [de], Joan Wasser; and (strings) Stephanie Griffin, Conrad Harris, Amy Kimball, Garo Yellin
Elliott Sharp String Quartets 1986–1996 (2003) with Soldier String Quartet and The Meridian Quartet
The Boreal (2009) performed and recorded by JACK Quartet
Tranzience (2013) performed and recorded by JACK Quartet
Akheron (2014) premiered by JACK Quartet
Orchestral
Racing Hearts, Tessalation Row, Calling (2003)
Plastovy Hrad (2018) commissioned by Brno Contemporary Orchestra and conducted by Pavel Snajdr.
Oceanus Procellarum commissioned and premiered by Ensemble Resonanz, Kampnagel, Hamburg and Huddersfield Festival, UK.
Occam's Machete (2023) premiered by Sharp's SysOrk string ensemble
Chorale (2019): 8-channel sound installation at Geoff Stern Art Space, Berlin.
Suspension (2004): 2-channel installation of video and sound exploring the awareness of momentary stillness in the metropolis. Collaboration with video artist Janene Higgins, for The Chelsea Art Museum, NYC.
Fluvial (2002): A system for flowing audio to create moving sound currents within the enclosed space of the Engine 27 gallery in NYC, Fluvial uses randomization, filtering, and feedback as its basic processing elements to make full use of the room's spatialization potential.
Chromatine (2001): Both musical instrument and sculpture, encouraging visitors to touch the sculpture and cause it to play music. For the Gallery of the School of Museum of Fine Arts, Boston.
Tag (1997): An interactive audio installation created for the Departure Lounge exhibition at the Clocktower Gallery of MoMA PS1, New York City.
Distressed Vivaldi (1996): Soundtrack created for the Model Home exhibition at the Clocktower Gallery of MoMA PS1, New York City.
Further reading
One-man Opera brings Time-traveling Beethoven into the 21st Century Review, US premiere of Die Grösste Fuge by David Wright, New York Classical Review (2024)
Elliott Sharp's Inner Ear Interview in Premiere Guitar with Bill Murphy (2019)
Avantgarde-Musik von Elliott Sharp: Die Vibes Stimmen Interview with Franziska Buhre in the Berlin publication Die Tageszeitung (2015)
Elliott Sharp: Blues is a Feeling NPR Interview with Jacki Lyden on the program All Things Considered on NPR (2012)
Composer Elliott Sharp's scientific approach is more than a theory By Manny Theiner, Pittsburgh Post-Gazette (2012)
The 'East Village Nosferatu' Haunts Brooklyn By Steve Dollar, The Wall Street Journal (2011)
Interview with Elliott Sharp in Guitar Player magazine (2007)
Interview with Sharp by Mike McGonigal, published in Bomb magazine (2003)
No One Said He Makes for Easy Listening by Adam Shatz, New York Times Arts and Leisure, July 2002
Elliott Sharp (March 22, 2006). "Wide Awake in Alphabet City". NewMusicBox (Interview). Interviewed by Frank J. Oteri (published October 1, 2006). (includes video)
Interview with Sharp by the Portuguese journalist Rui Eduardo Paes, September 2004
References
^"Classical Composers Database". October 2003. Archived from the original on 2013-11-14. Retrieved 2009-07-05.
^"Guitar Moderne Review of IrRational Music". 29 January 2019. Archived from the original on 2023-09-21. Retrieved 2023-09-22.
^""Sound In Light - Light In Sound: Graphic Scores by Elliott Sharp"". Archived from the original on 2023-09-28. Retrieved 2023-09-22.
^Atlantic Center has new batch of artists in residence Archived October 20, 2012, at the Wayback MachineOrlando Sentinel October 2009
^"BOMB, Interview by Mike McGonigal". Archived from the original on 2023-12-03. Retrieved 2024-01-02.
^Maris, E. Elliott Sharp/Tectonics:Solo Beijing Archived July 23, 2011, at the Wayback MachineDowntown Music Gallery Newsletter, April 26, 2007
^Ambrose, P. Elliott Sharp's Instrumental Vision Archived 2009-08-27 at the Wayback MachineThe Morning News, October 4, 2005
^Tessalation Row,Elliott Sharp with the Soldier String Quartet All Music Guide