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The Man in the High Castle (TV series)

The Man in the High Castle is an American dystopian alternate history television series created for streaming service Amazon Prime Video, depicting a parallel universe where the Axis powers of Nazi Germany and the Empire of Japan rule the world after their victory in World War II. It was created by Frank Spotnitz and produced by Amazon Studios, Ridley Scott's Scott Free Productions (with Scott serving as executive producer), Headline Pictures, Electric Shepherd Productions, and Big Light Productions.[1][2] The series is based on Philip K. Dick's 1962 novel of the same name.[1]

The pilot premiered in January 2015, and Amazon ordered a ten-episode season the following month which was released in November. A second season of ten episodes premiered in December 2016, and a third season was released on October 5, 2018. The fourth and final season premiered on November 15, 2019.

Setting

Set in 1962, the series' main setting is a parallel universe where the Axis powers have won World War II in 1946 after Giuseppe Zangara successfully assassinates United States President-elect Franklin D. Roosevelt in 1933, creating a series of developments that include the Germans dropping an atomic bomb on Washington, D.C. (now renamed "District of Contamination"). The German Reich extends to Europe and Africa and the Empire of Japan comprises Asia, but most of the series is set in the former US and in Germany proper. Adolf Hitler is dictator of most of the world. The Emperor of Japan is ruler of most of the rest of the world. Although the real life Axis included Fascist Italy under the dictatorship of Benito Mussolini, only the Japanese and German factions of the Axis are depicted in this fictional world. There are no Italians in the scenario, nor is Mussolini accounted for, except as an image in one of the mysterious newsreels, with the Führer.

Flag of the Japanese Pacific States, part of the Empire of Japan

Western North America, now part of the "Japanese Pacific States", is occupied by the technologically less-advanced Shōwa-period Empire of Japan, which has assimilated its formerly American citizens into Japanese culture, although high-class ethnic Japanese are extremely fascinated by pre-War American culture. Japan's Trade and Science ministers work in the Pacific States' capital, San Francisco. The Japanese rulers subject non-Japanese people to discrimination and grant them fewer rights.

Flag of Nazi America, part of the Greater Nazi Reich

Eastern and Midwestern North America is a colony controlled by the Greater Nazi Reich (GNR) under an aging Führer Adolf Hitler. The colony, headed by a "Reichsmarschall of North America", is commonly referred to as "Nazi America" or "the American Reich" and its capital is New York City. The Nazis continue to hunt minorities and euthanize the physically and mentally sick. Fictional developments of 1960s technology such as video phones (History of videotelephony), live surveillance video (CCTV), and supersonic jetliners (as was the real-life SST) that were technologically available in the '60s but never commercially produced are featured in the series.

The US as depicted in the television series. Though Denver is the capital of the Neutral Zone, Cañon City, Colorado, is a major setting.

A Neutral Zone, which encompasses the Rocky Mountains, serves as a buffer zone between the Japanese Pacific States and Nazi America due to Cold War–like tensions between the German and Japanese blocs. Another buffer zone is present in the Urals.

Films collected by the eponymous "Man in the High Castle" are newsreels depicting numerous other Earths, including some where the Allies were victorious, some featuring executed Allied leaders (such as Winston Churchill and Joseph Stalin), and some where an American resistance is doing well. The events depicted include both actual history and other possible alternate timelines.

Cast

Main

Recurring

John Smith's family

Juliana Crain's family

Nobusuke Tagomi's family

Historical characters

Episodes

Season 1 (2015)

Season 2 (2016)

Season 3 (2018)

Season 4 (2019)

Production

Development

In 2010, it was announced that the BBC would co-produce a four-part TV adaptation of The Man in the High Castle for BBC One together with Headline Pictures, FremantleMedia Enterprises and Scott Free Films. Director Ridley Scott was to act as executive producer of the adaptation by Howard Brenton.[7] On February 11, 2013, Variety reported that Syfy was producing the book as a four-part miniseries, with Frank Spotnitz and Scott as executive producers, co-produced with Scott Free Productions, Headline Pictures and Electric Shepherd Prods.[8]

On October 1, 2014, Amazon Studios began filming the pilot episode for a potential television drama to be broadcast on their Prime web video streaming service.[9] Adapted by Spotnitz, the project was produced for Amazon by Scott, David Zucker and Jordan Sheehan for Scott Free, Stewart Mackinnon and Christian Baute for Headline Pictures, Isa Hackett and Kalen Egan for Electric Shepherd and Spotnitz's Big Light Productions.[2] The pilot was released by Amazon Studios on January 15, 2015.[10] Amazon Studios' production process is somewhat different from those of other conventional television channels in that they produce pilot episodes of a number of different prospective programs, then release them and gather data on their success. The most promising shows are then picked up as regular series. On February 18, 2015, Amazon announced that The Man in the High Castle was green-lit along with four other series, and a full season would be produced.[11]

The pilot, which premiered in January 2015, was Amazon's "most-watched since the original series development program began". The next month, Amazon ordered a ten-episode season, which was released in November to positive reviews.[12][13][14] A second season of ten episodes premiered in December 2016, and a third season was announced a few weeks later.[15][16][17] Amazon announced in January 2017 that they were bringing on new executive producer and showrunner Eric Overmyer for the third season to replace Spotnitz, who had departed from the show during the second season.[18] Season three was released on October 5, 2018.[15][16][17] In July 2018, it was announced at San Diego Comic-Con that the series had been renewed for a fourth season,[19] which was confirmed in February 2019 to be the last one of the series.[20] Daniel Percival and David Scarpa took over as showrunners for the final season.[21]

Filming

Principal filming for the pilot took place in Seattle, with the city standing in for San Francisco and locations in New York City. Filming also took place in Roslyn, Washington, with the town standing in for Canon City and other Neutral Zone locations. Sites used in Seattle include the Seattle Center Monorail, the Paramount Theatre, a newspaper office in the Pike Place Market area, as well as various buildings in the city's Capitol Hill, International District, and Georgetown neighborhoods. In Roslyn, the production used external shots of the Roslyn Cafe, along with several local businesses and scenery.[22][23]

For the series, filming took place in Vancouver, British Columbia. Specific filming locations included West Georgia Street in the city's downtown core, and the promenade of the Coast Capital Savings building in April 2015.[24] In May and June 2015, filming also took place at the University of British Columbia.[25] Exterior shots of Hohenwerfen Castle in Werfen, Austria, were filmed in September 2015 for the tenth episode of the first season.[26] The interior scene where Hitler and Rudolph Wegener meet was shot on the ground floor of the Bell Tower.

Release

The first and second episodes were screened at a special Comic-Con event. The season premiered on November 20, 2015.[27][28] The second season was released on December 16, 2016.[29] The third season was released on October 5, 2018.[16] The fourth season was released on November 15, 2019.[30]

Reception

The pilot was Amazon's "most-watched since the original series development program began".[12] The first season received critical acclaim. Rotten Tomatoes gives it an approval rating of 95% based on reviews from 62 critics, with an average rating of 7.5 out of 10. The site's critical consensus states, "By executive producer Ridley Scott, The Man in the High Castle is unlike anything else on TV, with an immediately engrossing plot driven by quickly developed characters in a fully realized post-WWII dystopia."[31] Metacritic gives the first season a score of 77 out of 100, based on reviews from 30 critics, indicating "generally favorable reviews".[32] Meredith Woerner from io9 wrote, "I can honestly say I loved this pilot. It's an impressive, streamlined undertaking of a fairly complicated and very beloved novel."[38] Matt Fowler from IGN gave it 9.2 out of 10 and described the series as "a superb, frightening experience filled with unexpected twists and (some sci-fi) turns".[39] Brian Moylan of The Guardian was positive and praised the convincing depiction as well as the complex and gripping plot.[40] The Los Angeles Times described the pilot as "provocative" and "smartly adapted by The X-Files' Frank Spotnitz". The Daily Telegraph said it was "absorbing", and Wired called it "must-see viewing". Entertainment Weekly said it was "engrossing" and "a triumph in world-building", cheering, "The Man in the High Castle is king." After the season, Rolling Stone included it on a list of the 40 best science fiction television shows of all time.[41] Amazon subsequently announced it was the service's most-streamed original series and had been renewed for a second season.[42][43]

The second season received mixed reviews. Rotten Tomatoes gives it an approval rating of 64%, based on reviews from 25 critics with an average rating of 7 out of 10. The site's critical consensus states, "Although its plot is admittedly unwieldy, The Man in the High Castle's second season expands its fascinating premise in powerful new directions, bolstered by stunning visuals, strong performances, and intriguing new possibilities."[33] Metacritic gave season 2 a score of 62 out of 100, based on reviews from ten critics, indicating "generally favorable reviews".[34]

The third season was met with positive reviews. Rotten Tomatoes gives it an approval rating of 86%, based on reviews from 21 critics with an average rating of 7.4 out of 10. The site's critical consensus states, "The crafty addition of minor sci-fi elements and a terrific William Forsythe to the show's already engrossing narrative make The Man in the High Castle's third season another worthy binge."[35] Metacritic gives season 3 a score of 70 out of 100, based on reviews from five critics, indicating "generally favorable reviews".[36]

The fourth season received positive reviews. Rotten Tomatoes gives it an approval rating of 92%, based on reviews from 13 critics with an average rating of 7.2 out of 10. The site's critical consensus states, "The Man in the High Castle finds something close to closure, wrapping up major threads to bring everything full circle in sufficiently dramatic fashion."[37]

Accolades

Advertising controversy

As part of an advertising campaign for the season one release, an entire New York City Subway car was covered with Nazi and Imperial Japanese imagery, as seen in the show, including multiple US flags with the Imperial Eagle symbol in place of the 50 stars (a change from the swastika used on the flag in the show), and multiple flags of the fictional Pacific States.[64]In response to criticism from "state lawmakers and city leaders", the Metropolitan Transportation Authority (MTA) released a statement saying that there were no grounds to reject the ads because the neutral content subway ad standards prohibit only advertising that is a political advertisement or disparages an individual or group. MTA spokesperson Kevin Ortiz stated, "The MTA is a government agency and can't accept or reject ads based on how we feel about them; we have to follow the standards approved by our board. Please note they're commercial ads." Spokesperson Adam Lisberg said, "This advertising, whether you find it distasteful or not, obviously they're not advertising Nazism; they're advertising a TV show."[65]

After complaints from New York State Governor Andrew Cuomo and New York City Mayor Bill de Blasio, initial reports indicated that Amazon pulled the advertisement from the subway. It was later announced that it was the MTA, not Amazon, that pulled the ad because of pressure from Cuomo.[65]

See also

References

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External links